توظيف الخيال في عروض المسرح المعاصر ........... دراسة تطبيقية على نماذج مختارة

I always remember Albert Einstein's saying, "Imagination is more important than knowledge," because the great works in most areas of life, I think, began in the realm of imagination before they became known facts. Physical facts are tangible facts that exist in our real world. As for what we want to achieve in the future, it is dependent on our imagination. It is formed through media of images and sounds, and it will not come out to reality unless it is transformed from an idea wandering in the world of imagination to an established reality in the world of reality. This is dependent on the question of freedom, because the imagination only operates in an environment characterized by freedom and travels away from a world governed by objective relations and human laws and regulations to a vast realm governed only by the law of unconditional dreaming.
In the world of arts, the imagination can be defined as a group of actions that are formed in the mind through a group of images and sounds that are not subject to the logic of reality as much as they are subject to the technical requirements and the extent to which they are related to the expert and cognitive formation of the artist. It is a world that is not bound by any intellectual or ideological references, nor is it bound by the logic of events and their compatibility with reality. Primarily based on his reference stock, he recovers sensations, shapes, colors and sounds in order to reproduce them in new molds in order to achieve immediate goals.
In this concept, imagination is an activity that uses the mind to travel away from actions that are free from harmony with the mind. In a more precise sense, the artist uses his mind to create actions, images, and sounds that are not consistent with the rationality of reality as much as they are consistent with ideas that the artist wants to present to the recipient in his creative work. In this concept, the imagination includes a set of steps, the first of which is separation from reality, its laws and assumptions, and then access to a virtual world that the artist sees in a fertile and expanding horizon. What is related to reality, the artist here is working to create a group of assets in his distant world, these assets have relations, and the artist sees them moving according to the goal he seeks to achieve from behind this imaginary journey, it is like daydreams that man resort to to escape from the world of reality. .